Maguy Marin Les Applaudissements ne se mangent pas

Bodies dodging each other, jostling and bouncing around to expose a society ruthless to the weak. Created in 2022 as a tribute to Latin American countries, this political piece denounced a system of resource plunder and oppression for the benefit of the few. It is still relevant today.
location
time
1h
category
- Dance
-
19h30
-
19h30
-
19h30
-
17h00
- Tarif plein45€
- Tarif Pass Chaillot / Pass Chaillot Groupe30€
- Tarif Pass Chaillot Jeune15€
When the piece premiered in 2002 at the Biennale de la danse in Lyon, Maguy Marin was thinking about South American countries barely coming out of bloody dictatorships but leaving little hope for the disadvantaged. Today this tense piece almost seems like a comment on our society where “the success of the few comes up against the powerlessness of several billion others” and the ongoing crimes, wars, political power games and repressions are still raging. The piece is unsparing, featuring apparitions, disappearances, stops, falls and bodies pulled in behind a warm-colored plastic curtain. Violence is everywhere and oxygen nowhere. This claustrophobic ambiance with eight characters looking at and sizing each other up, sidestepping around each other or staring each other down, crossing and jostling manages to express the rebellion and submission etched into the bodies. The line between victims and persecutors gets blurry. The balance of power can be felt each minute and resistance is indispensable. And “despite the accolades handed out by international finance wearing down struggles and ruining the people, the applause doesn’t feed the people
Agnès Izrine